Consola Digital, D612

Características Principales

• AUDIO INPUTS
  4 balanced MIC inputs (XLR)
  2 balanced stereo Line inputs (DIN 5)
  3 unbalanced stereo Line inputs (RCA)
  1 Digital stereo Line input (USB)
• INPUTS LEVEL & IMPEDANCE
  Balanced MIC= -10 dBu/-75 dBu; 150 / 250 Ohms
  Balanced LINE = -20 dBu / +26 dBu; 600~ 10Kohms
  Unbalanced LINE = -15 dBu / +12 dBu; 600~ 10Kohms
• PHANTOM POWER
  Two MIC inputs have 48V phantom power supply, switchable ON / OFF
• ANALOG OUTPUTS
  2 bus stereo outputs; PGM (6,35mm, TRS plug) & REC (RCA connector)
  Both at + 4 dBm = 0 VU
  PGM balanced: Max Level +26dBu (10K), +20dBm (600 ohms)
  REC unbalanced, Max level 20 dBu
  External Hybrid: unbalanced Mic-Minus out at + 4 dBu
• DIGITAL USB INPUT / OUTPUT
  USB digital In/Out; Input to channel 5; Output to PGM or REC
  It uses the K15 Overload recommendation for broadcating;
  Then, 0 VU is at -15 dB Full Scale level
• ON-AIR SIGNAL
  ON-AIR Tally Light output (turns on when MIC is open)
  12 V CC @ 0,12 amp (two Solidyne On-Air lights)
• MONITOR & HYBRID OUTPUTS
  1 Stereo Studio, 0 dBu for active speakers, muted
  1 Stereo Control, 0 dBu for active speakers, muted
  1 Stereo Studio Headphones, with Distribution AMP
  up to 5 headphones, + 10 dBu
  1 Stereo Control Headphones, + 10 dBu
  1 External Hybrid send (MIX-Minus) +4 dBu / 10K
• CUE MONITOR
  Internal CUE Monitor Amplifier; 250 mW , with speaker inluded
• HEADROOM
  22 dB @ LIN to PGM Ref + 4dBu/10 k
• FREQUENCY RESPONSE
  20-20.000 Hz +/- 0.25 dB (LIN to PGM)
  20-20.000 Hz +/- 0,5 dB (MIC to PGM)
• MIC EQUALIZER
  Four Bands MIC EQ with In/Out switch; 80 Hz top flat curve, 160 Hz bell
  shaped, 4 kHz bell shaped, 8 kHz top flat curve
  Action + 15 dB / -15 dB
• MIC COMPRESSOR
  Low distortion MIC compressor with In/Out switch. 20 dB max compression. Attack time < 10 ms. Threshold = 0 VU
  Compression ratio: < 2 dB variation for 15 dB change MIC level
• NOISE
  MIC input, EIN=-120 dBu / 150 ohms
  LINE input, S/N > 75 dBA
• DYNAMIC RANGE
  From Line to PGM > 90 dBA (CD quality)
• CROSSTALK
  PGM-REC > 65 dBA @ 1 kHz
• DISTORTION
  From LINE to PGM out < 0.03 % THD @30-15.000 Hz.
• PHASE
  From Line to PGM, < 3º L&R @50-10.000 Hz
• STEREO TRACKING
  Below 0.2 dB error L/R in fader range 0 to 40 dB
• TELEPHONE HYBRID SPECS
  Two channel telephone active Hybrid:
  One phone line plus one cellular (Bluetooth linked)
  Frequency Response: 200 – 5.000 Hz
  Noise: > 60 dBA S/N
  Rejection: > 35 dB rejection
  NULL adjust in front panel preset
  Preference atenuator: 12 dB local announcer interrupt priority
• TELEPHONE INPUT LIGHTNING DISCHARGE SAFETY
  Telephone Hybrid input is transformer floating to meet the Public
  Telephone Service isolation standards. It is protected with SIOV Varistors against soft lightning discharges.
  External gas discharge protection is recommended
• TALKBACK MICROPHONE
  Included Talkback MIC, with Audio Limiter. Noise Cancelled PZM type.
  Outputs to Phone Line Hybrid or Studio Speakers & Headphones.
• VU-METERS & COMPRESSION LEVEL
  2 x LED VUmeters for PGM. Cuasi peak reading
  Microphone compressor level meter 0 – 15 dB
• AoIP OPTIONAL TCP / IP DIGITAL STREAMING OUTPUT
  Ethernet RJ45 connection to a standard LAN (Option /AoIP)
  Used for sending D612 output to transmitter plant with MP3 Internet streaming or using a 5,8 GHz 802. Link
  Also can be used for AoIP connection with another console located inside or outside studios
  It can work in linear PCM at 44.1 & 48 kHz or MP3 VBR
  On-Air information using GPIO for remote processors
• AoIP Delay and user modes
  MP3 Layer 1 (32, 44.1 and 48 kHz)
  MP3 Layer 2 (16, 22.05 and 24 kHz)
  16bit PCM uncompressed (8,16,32,44.1 & 48 kHz)
  Full duplex (transmitting and receiving)
  Delay using PCM at 48 kHz Fs (recommended) Less than 5 mS
  Delay using MP3 streaming. Average 100 mS
• POWER
  Switching external power supply 90-240 V, 20VA [28V@0,57A]
• DIMENSIONS & WEIGHT
  Wide: 405 mm; Deep: 385 mm; Height: 95 mm at rear turret
  Net Weight: 4,7 Kg